I put this on my Netflix list solely based on the one scene that was shone when it was nominated for an Oscar. It turns out to have been improvised by the actors and therefore nearly free of the heavy handedness of much of the rest of the film.
There are the bones of a good movie in here...good casting, great acting, nice set design, beautiful shots of the neighborhood, decent script...but the movie falls far short of what it could have been and I have to firmly blame the director and the producer for that. The movie is best when it is spotlighting the quirky yet real characters and their stories but every time it starts to get good we get yanked back to the main story about Ana, a recent high school graduate and her growing rebellion against her mother who wants her to say home instead of accepting a full ride scholarship at Columbia University, even if it means having to work in a sweatshop.
The central theme is supposed to be women accepting themselves. I have to give them credit for casting women who looked like ordinary women, not the usual Hollywood idea of ordinary and these women can ACT which really underlines the unfairness that they will never be stars in the Hollywood system. Unfortunately I have to deduct points for several scenes in which the women come to accept their less than thin bodies that might as well have a flashing “Message Here” notice on the screen they are so heavy handed.
The problem is, depicting these women, almost all of whom were born in Mexico, as having the same attitude towards their bodies as White American women is just not correct. I did a meta-analysis several years ago in college on several studies relating to body image and race and found that Hispanic women have a higher satisfaction with their bodies than Whites. For the most part they are proud of their larger measurements because they are desirable to the men in their culture and so don't obsess about getting anorexic thin like Whites.
The central conflict between Ana and her mother is ludicrous as presented and the only way they remotely make it work is by making the mother nasty and mean spirited for most of the movie. She is mostly one dimensional. They do have a couple of scenes to show her “soft side”. In one she sweat talks her pet parakeets, in another she tends to Ana when she gets burned, but her verbal abuse of both her daughters more than overrides that. The closest we get to a motivation is a speech she gives to her husband about how she's had to work since she was 13; Ana is 18 and now it's her turn. Yeah, that's a good reason to keep your kid from going to college if you love her.
As unbelievable as the plot is we are told over and over on the commentary track by the producer how important it was to make the film as “real” as possible. They changed the original ending, the second best scene in the film and one of the DVD extras, that was upbeat and life affirming and emphasized the importance of community and replaced it with shots of Ana strutting down a New York street, on her own and independent because it was “more real”.
In the original ending Ana returns after a year in New York to be there for her sister when she presents a small show of her own designs using women from the factory as models. It celebrates the beauty of these women and serves as a great curtain call for the actresses. It emphasized the way that you are never totally free from your community and culture and it is both a source of strength and something to overcome. There is a moment where the mother kisses Ana and we are given to understand that they have settled their differences which was a little too pat but that could have been cut or altered. Even with it the original ending is stronger.
The original stage play featured a five woman ensemble cast and was set entirely in the sewing factory. It was written by a girl who had spent several months working at a sewing factory owned by her sister. She wanted to celebrate these women and their interesting stories. For the film they mostly serve as comic relief in the background of the conflict between Ana and her mother.
It's hard to root for Ana because she is a pretty unlikeable person for most of the movie. She is sarcastic and hateful towards her mother and her sister until just before the end. The mother is kind of understandable but her sister never does anything but try to help her. Ana is arrogant and looks down on the other workers at the sewing factory at first just because they have to do “this dirty work”.
She decides to lose her virginity as a show of rebellion against her mother and while the production team seem proud of her “owning her sexuality” they seem to miss how coldly she uses her boyfriend to do it. The boy is one of the nicer and better developed characters in the movie. He really likes Ana and if he wasn't going off to college in another town something might have developed but all he is good for is stud service by the end of the movie and he's dismissed with an awkward scene where he drives her home the morning after and she lets him know that it's over between them.
We are never given any indication as to why Ana has won her scholarship. She is shown in a couple of scenes working on her admission essay but we never get to hear any of it and when she turns in the paper it is clear even on TV that it contains less than 3/4 of a page of double spaced type. It's her sister who is shown reading and creating. Ana just moans and complains and sulks.
There are a few really excellent scenes that are worth seeing here but I really can't recommend the movie as a whole.